Pan Dmc

Pan Dmc
Panasonic DMC-G2 Touchscreen Video AF in Action

Blade Runner

Plot
Note: There are several versions of Blade Runner.
In Los Angeles, November 2019, Rick Deckard (Harrison Ford) is a retired police officer, is arrested in a noodle bar for officer Gaff (Edward James Olmos). His former supervisor, Bryant (M. Emmet Walsh), says that several "replicants", Engineering biological humanoids that serve as soldiers and slaves in the colonies on other planets, have escaped and come to Earth illegally. As a runner "blade" while is active, Deckard's work was to locate the replicants on Earth and "retire" them.
Bryant shows you a video of another blade runner (Morgan Paull) administering a Voight-Kampff test which distinguishes humans from replicants based on their empathic response to questions. The issue of proof, Leon (Brion James), trips to the tester when it is probable that is exposed as a replicant.
Deckard agrees to track by Leon and three replicantsoy Batty (Rutger Hauer) Zhora (Joanna Cassidy) and Pris (Daryl Hannah) fter Bryant threat. These replicantsyrell Corporation Nexus-6 modelsave a useful life of four years as a mechanism security to prevent the development of emotions and the desire for independence. They may have come to Earth to try to have these extended life expectancy.
Deckard joined with hooks and sent to the Tyrell Corporation to ensure that the Voight-Kampff test works on Nexus-6 models. Once there, Deckard discovers that Tyrell (Joe Turkel) Assistant Rachael (Sean Young) is an experimental replicant who believes she is human, Rachael awareness has been enhanced with childhood memories of Tyrell's niece. As a result, a Voight-Kampff test required for the largest identified as a replicant. Rachael During testing suggests that Deckard himself being tested.
Roy and Leon enter the eye factory Chew (James Hong), during interrogation, Chew directs them to JF Sebastian (William Sanderson) as their best chance of meeting Tyrell. Rachael visits Deckard in his apartment to prove her humanity to him, showing him a photo. She leaves in tears after Deckard says that her memories are implants. Pris meets with JF Sebastian in his apartment in the Bradbury Building where he lives with his companions manufactured. Deckard is a picture of Zhora in the pictures of Leo.
Deckard goes to a area of the city where the genetically modified animals are sold to analyze a scale found in the bathroom of Leon, the learning that came from a snake made by Abdul Hassan Ben (Ben Astar). Hassan Deckard goes to a nightclub where he works Zhora. Deckard "retires" Zhora, whose death is carried out in slow motion while struggles to escape. Deckard meets shortly after Bryant and Rachael tells add to your list of retirements, as it has disappeared from the headquarters of the Tyrell Corporation. Rachael Deckard spots in the crowd but is attacked by lions. Rachael saves Deckard killing Leon, and the return of two Deckard's apartment, which begins around sex.
Roy arrives Sebastian's apartment and Pris says they are the only ones left. Sebastian Win help after explaining their situation. Roy discovers that Sebastian is suffering of a genetic disorder that accelerates aging. Under the pretext of informing Sebastian Tyrell of a movement to a correspondence chess game they are playing, Roy and Sebastian enter Tyrell attic. Roy requires an extension of his term of life of its maker. Tyrell Tyrell Corporation explains that never found a way to accomplish this. Roy asks absolution of their sins, confessing that he has done "questionable things." Tyrell rejects this, praising Roy's advanced design and achievements. He Roy says that "revel in their" time, which Roy comments, "Nothing the god of biomechanics will not let you into heaven for." Roy then Tyrell holds the head in his hands, kisses him and kills him. Sebastian runs the elevator, next to Roy. Roy walks into the elevator alone and did not return Sebastian to see.
Deckard arrives at Sebastian's apartment and is ambushed by Pris. He retired as Roy returns. Roy blows through a wall, grabbing the right arm Deckard, and broke two fingers in retaliation Zhora and Pris. Roy Deckard communiqués and gives time to run before you start hunting through the Bradbury building. Symptoms limited life worse Roy and his right hand began failing, he jabs a nail through it to regain control. Roy Deckard forces to the roof. As Deckard Roy tries to escape, jump through another building, but it falls short and ends up hanging from a beam of rain hairstyle. As Deckard loses his grip, Roy takes hold of his arm and drags him to the roof. As Roy's life ends, he delivers a monologue about his life "I've seen things you people would not believe: Attack ships on fire off the shoulder of Orion I've seen C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in rain. Time to die. "
Hook Deckard notes, "It's a shame that she will not live, but then again, who?" Deckard returns to his apartment to find Rachael vivo. When you leave, Deckard is a origami unicorn, a business card left by Gaff. Depending on the version, the film ends with Deckard and Rachael either leave the apartment block an uncertain future or driving through an idyllic pastoral landscape.
Comparison with the novel
As a result of the divergence of Fancher of the novel, numerous rewrites before and during the filming of the movie, and Ridley Scott never having read the novel on which it is based, the film differed significantly from their original inspiration. Some of the themes of the novel that were minimized or completely eliminated are: fertility / sterility of the population, religion, media, the uncertainty that Deckard is human, and pets against synthetic and real emotions.
Philip K. Dick refused an offer of $ 400,000 to write a novelization of the script for Blade Runner, saying: "[I] told the cheapo novelization would have to appeal to the audience of twelve years of age" and "[it] would probably have been a disaster for me artistically." He added: "This insistence on my part to remove the original novel and not do novelizationhey were furious. Finally recognized that there was legitimate reason for reissuing the novel, but they cost money. It was a victory not only contractual obligations, but from theoretical principles. "In the end, Do Androids Dream of Electric Sheep? Was reprinted as a tie-in with the poster the film as a cover and the original title in parentheses under the title of Blade Runner.
The producers of the film prepared for the projection some special effects in rough cuts of Philip K. Dick, shortly before his death in early 1982. Despite his skepticism known in Hollywood, in principle, became very excited about the movie. He said: "I saw a segment of Douglas Trumbull's special effects for Blade Runner on KNBC-TV news. I recognized it immediately. It was my inner world. They caught it perfectly. "It also approved the script for the film, saying:" After I finished reading the script, I got the book and looked through it. The two are mutually reinforcing, so that someone who started with the novel to enjoy the film and someone who started the film would enjoy the novel. "
Cast and characters
Main article: List of Blade Runner
With the exception Harrison Ford, Blade Runner used a number of lesser known actors Daryl Hannah and Sean Young. The cast includes:
Actor
Character
Notes
Harrison Ford
Rick Deckard
Coming off the success of Star Wars (1977), The Empire Strikes Back (1980) and In Search of the Lost Ark (1981), Ford was looking for a dramatic role. After Steven Spielberg praised Ford, was hired to Blade Runner. In 1992, Ford revealed, "Blade Runner is not one of my films favorites. I tangled with Ridley. In addition to friction with the director, he also disliked the dubbing: "When we started shooting had been tacitly agree that the version of the film we had agreed upon was the version without voiceover narration. Af ** king nightmare is [sic]. I thought the film had worked without the narration. But now I was stuck re-creating that narration. And I had to do the voice for people who do not represent the interests of the director. "" I went kicking and screaming into the studio to record. "
Rutger Hauer
Roy Batty
The replicants gave yet violent leader, considered by Philip K. Dick as "the perfect Battyold, aria," flawless. Of the many films he has done, Hauer, Blade Runner is their favorite. As he explained in a live chat in 2001, "Blade Runner needs no explanation. Just IZZ [sic]. All the best. There is nothing like him. To be part of a true masterpiece changed the thinking of the world. It's awesome. "
Sean Young
Rachael
Tyrell's assistant. Rachael is a replicant with memories that belonged to his niece Tyrell.
Edward James Olmos
Hook
Olmos used his diverse ethnic background, and some personal in-depth research to help create the fiction "Cityspeak" the language of your character wears in the film. His opening speech to Deckard in the noodle bar is partly in Hungarian, and means, "Horse cock! No way. You are the … Blade Blade Runner. "
Daryl Hannah
Pris
a "basic pleasure model."
M. Emmet Walsh
Captain Bryant
Walsh live up to its reputation as a great character actor with the role of a drinker, the police of poor quality and typically sly veteran the genre of black films.
Joe Turkel
Dr. Eldon Tyrell
The business tycoon has built an empire on genetically engineered humanoid slaves.
William Sanderson
JF Sebastian
a quiet and solitary genius, which provides a sympathetic portrait of humanity not yet met. JF is able to sympathize with a life the replicants of "short because it has progeria, a genetic disease that causes faster aging and a shortened life.
Brion James
Leon Kowalski
a replicant posing as a waste disposal engineer.
Joanna Cassidy
Zhora
a special operations, undercover and model murderer. Cassidy portrays a strong female replicant who has seen the worst humanity has to offer.
Morgan Paull
Holden
Blade Runner The initial allocation the case, he is shot by Leon, while Tyrell screening new employees in an attempt to find the replicating, prompting his replacement by Deckard.
James Hong
Hannibal Chew
an elderly Asian geneticist who specializes in synthetic eyes.
Hy Pyke
Lewis Taffey
Transmitted Pyke Lewis sleaziness easily and with a single shot, something almost unheard-Scott drive for perfection that is sometimes in double digits have.
Production
One of the filming locations is Bradbury Building
in Los Angeles, California.
The interest in adapting the novel by Philip K. Dick 's Do Androids Dream Electric Sheep? developed shortly after its 1968 publication. According to Dick, director Martin Scorsese was interested in filming the novel, but never an option purchase. Producer Herb Jaffe is optioned in early 1970, but Dick was not impressed with the script: "Robert Jaffe, who wrote the script, flew down here to Orange County. I said then that it was so bad that I wanted to know if he wanted me to beat him up there at the airport or wait until we went to my apartment. "Hampton Fancher's script was sent in 1977.
Producer Michael Deeley became interested in the project and convinced the director Fancher Ridley Scott to use it to create his first American film. Scott had rejected the project, but after leaving the slow production of Dune, I wanted a project faster rate to take your mind off the recent death of his older brother. He joined the project on February 21, 1980, and managed to push up funding Filmways promised $ 13 million to U.S. $ 15 million. Fancher script focused more on environmental issues and less on issues of humanity and faith, which weighed heavily in the novel. Scott wanted to change. Found a cinematic treatment Fancher, William S. Burroughs for Alan E. novel Nourse s' The Bladerunner (1974), entitled Blade Runner (a movie). Scott liked the name, so Deeley obtained the rights to the titles. At the end hired David Peoples to rewrite the script, Fancher and left the job on December 21, 1980, on the subject, but later returned to contribute additional rewrites.
Having invested over $ 2.5 million in pre-production, as the date of commencement of principal photography was coming, Filmways withdrew financial support. In ten days, was $ 21.5 Deeley million in funding through a tripartite agreement between the company Ladd (via Warner Bros.), the Hong Kong-based producer Sir Run Run Shaw, and Production Tandem.
Philip K. Dick began to worry that no one had reported the production of the film, which added to the distrust of Hollywood. After Dick criticized an early version of script for Hampton Fancher in an article written for Los Angeles Select TV Guide, the study sent Dick David Peoples rewrite. Although Dick died shortly before the release of the film, he was satisfied with the script rewritten, and with a reel of special effects test of twenty minutes which was projected for him when he was invited to the studio. Dick excited after the screening of Ridley Scott that the world created for the film was exactly as I had imagined. The film was dedicated to Dick.
Another shot of Bradbury Building.
Blade Runner has many profound similarities to Fritz Lang's Metropolis, including a built urban environment, where the rich live literally on top of workers, dominated by a huge buildinghe Stadtkrone Tower in Metropolis and the Tyrell building in Blade Runner. Special effects supervisor David Dryer uses frames Blade Runner Metropolis when lining up shots of miniature construction.
Ridley Scott Edward Hopper Nighthawks credits, painting and French science fiction comic magazine Mtal Hurlant (Heavy Metal), which helped the artist Moebius, as sources stylistic mood. It was also based on the landscape of "Hong Kong in a very bad day" and the industrial landscape of his home only once in the Northeast England. Scott hired as a conceptual artist Syd Mead, who, like Scott, was influenced by Mtal Hurlant. Moebius was offered the opportunity to assist in pre-production Blade Runner, but he declined so he could work on Ren Laloux animated film Les temps du Matres, a decision later regretted. Lawrence G. Paull (Production designer) and David Snyder (art director) realized sketches of Scott and Mead. Douglas Trumbull and Richard Yuricich supervised special effects for the film. Director of photography of Blade Runner was launched on 09 March 1981 and ended four months later.
Casting the film proved problematic, especially for the lead role of Deckard. Screenwriter Hampton Fancher imagined by Robert Mitchum as Deckard, and wrote the dialogue with Mitchum character in mind. Director Ridley Scott and producers of the movie "last month" to meet and discuss the role with Dustin Hoffman, who eventually departed for differences in vision. Harrison Ford was elected ultimately, for several reasons, including his role in Star Wars films, Ford's interest in the history of Blade Runner, and discussions with Steven Spielberg, who was finishing In Search of the Lost Ark in time and strongly praised the work of Ford in the movie. According to production records, a long list of actors were considered for the role, including but not limited to, Gene Hackman, Sean Connery, Jack Nicholson, Paul Newman, Clint Eastwood, Tommy Lee Jones, Arnold Schwarzenegger, Al Pacino and Burt Reynolds.
Casting the role of Rachel and Pris was also a challenge, a long series of screen tests were shot with many auditions for actresses papers. Morgan Paull, who played the role of Deckard during the screen tests with actresses auditioning for the role of Rachel, was elected as fellow bounty hunter Deckard Holden based on their performances in testing. A role that was not difficult to cast was Roy Batty: Rutger Hauer Ridley Scott cast without knowing it, based solely Hauer performances in other films he had seen Scott. Joe Pantoliano, who later played the role of Cypher in the Blade Runner inspired The Matrix, was considered for the role of Sebastian.
In 2006, Ridley Scott was asked "Who is the biggest pain in the ass you have ever worked with?" He replied: "It must be Harrison … he will forgive me, because now he took me with him. Now it's become charming. But he knows a lot, that's the problem. When we work together was my first film and I was the new kid on the block. But we made a good movie. "Scott Ford said in 2000:" I admire his work. We had a bad run, and I about it. "More recently in 2006, Ford is reflected in the production of the film saying:" What I remember most of all when I see Blade Runner is not the 50 nights of shooting in the rain, but the voice … I was forced to work even for these clowns who came in writing one bad voiceover after another . Confirmed Ridley Scott in the summer of 2007 Total Film Harrison Ford contributed to the Blade Runner Special Edition DVD, which has made their interviews. "Harrison fully on board, "said Scott.
Interpretation
Main article: Issues of Blade Runner
Despite appearing to be an action movie, Blade Runner operates on multiple levels and dramatic narrative, but a great debt to the conventions of black cinema: the femme fatale, leading off (deleted versions later), cinematography, dark and gloomy, and the questionable moral outlook of the heron this case, extended to include reflections on the nature of his own humanity.
It is a science fiction film literacy, thematically involves the philosophy of religion and the moral implications of human domination of engineering genetics in the context of classical Greek drama and arrogance, and is based on biblical images, such as Noah's flood, and literary sources, like Frankenstein. Linguistically, the theme of mortality is subtly repeated in the chess game between Tyrell and Roy based on the famous immortal game of 1851, but Scott said that was a coincidence.
Dr. Tyrell polarizing window of his office to control power involves Sun as a god of the Tyrell Corporation.
Blade Runner explores the implications of technology for the environment and society to reach the past, literature, religious symbolism, classical dramatic, and the black cinema. This tension between past, present and future is reflected in the retrofitted future of Blade Runner, which is high-tech and gleaming in some areas, but declined and old elsewhere. Ridley Scott interview in 2002, Reporter Lynn Barber in The Observer describes the film as "very dark, both literally and metaphorically, with a strangely masochistic feeling." Director Scott said he "liked the idea of exploring the pain" following the death of his brother of skin cancer. "When I was sick, I used to go to visit in London, and that was really traumatic for me. "
An aura of paranoia permeates the film. Corporate power looms large, police seems ubiquitous, the probe vehicles and warning lights on the buildings, and biomedical implications of power over the individual are enormous implications exploredspecially replicating its programming. The environmental control is described as taking place on a large scale, hand in hand with the absence of any natural life, with artificial animals to replace his late templates. This oppressive backdrop explains migration is often referred to human beings to aliens ("outside world") colonies. The dystopian themes explored in "Blade Runner" is one of the earliest examples of the concepts cyberpunk film expansion. Eyes are a recurring motif, as manipulate images, questioning reality and our ability to accurately perceive and remember.
These thematic elements provide an atmosphere of uncertainty for Blade runner theme of the examination of humanity. To discover replicants, a test of empathy is used with a number of questions focused on the treatment of animalst seems to be an essential indicator of Humanity "by someone." The replicants are juxtaposed with human characters who lack empathy, while the replicants appear to show compassion and concern for others, while the mass of humanity on the streets is cold and impersonal. The film goes so far as to cast doubt on whether Deckard is a human being, and forces the audience to reevaluate what it means to be human.
The question of whether Deckard is intended to be a human or a replicant has been an ongoing controversy since the release of the film. Both Michael Deeley and Deckard Harrison Ford wanted man, while Hampton Fancher preferred ambiguity. Ridley Scott has confirmed his view that Deckard is a replicant. unicorn dream sequence is inserted into Deckard which coincides with the Director's Gaff-Cut farewell gift from an origami unicorn is seen by many as a sign of Deckard is a replicant like hooks could access Deckard's implanted memories. Interpretation Deckard is a replicant is challenged by others who believe that shows pictures of a unicorn that the characters, whether human or replicant, share the same dreams and recognize their affinity or that the absence of a decisive response is crucial for the movie theme. The ambiguity and uncertainty inherent in the film as well as its wealth textual, have allowed viewers to see from their perspective.
Reception
Blade Runner was released in 1290 theaters on June 25, 1982. This date was chosen by producer Alan Ladd, Jr., because of his previous blockbuster movies (Star Wars and Alien) had a similar opening date (May 25) in 1977 and 1979, so the date of his "lucky day." However, the gross for the first weekend was a disappointing $ 6.15 million. An important factor in the film, rather poor performance at the box office was that its release coincided with other releases of science fiction, like The Thing, Star Trek II: The Wrath of Khan, and, above all, the Extra-Terrestrial ET, that dominated the box office over the summer.
Film critics were polarized as some felt that history had taken a back seat to the effects special and was not action / adventure in the study had been announced. Other acclaimed its complexity and predicted it would pass the test of time.
In the United States, a general criticism was its slow pace detracts from other strengths, Sheila Benson of Los Angeles Times called it "crawler Blade," while Pat Berman on State and Columbia Record described it as "science fiction pornography." Roger Ebert praised both the original and the Director's Cut version Blade Runner's visual effects and therefore recommended, however, found human history and a clichd so thin. In 2007, on the release of The Final Cut, Roger Ebert somewhat revised his original opinion of the film and added it to his list of great movies.
Awards and nominations
Blade Runner has won and been nominated for the following awards:
Year
Award
Category
Candidate
Result
1982
British Society of Cinematographers
Best Cinematography Award
Jordan Cronenweth
Nominated
1982
Los Angeles Film Critics Association Award
Best Cinematography
Jordan Cronenweth
Won
1983
BAFTA Film Award
Best Cinematography
Jordan Cronenweth
Won
Best Costume Design
Charles Knode and Michael Kaplan
Won
Best Production Design / Art Direction
Lawrence G. Paull
Won
Best Editing
Terry Rawlings
Nominated
Best Makeup Artist
Marvin Westmore
Nominated
Best Score
Vangelis
Nominated
Better Sound
Peter Pennell, Bud Alper, Graham V. Hartstone, Gerry Humphreys
Nominated
Best Special Visual Effects
Douglas Trumbull, Richard Yuricich dryer David
Nominated
1983
Hugo Award
Best Dramatic Presentation
Blade Runner
Won
1983
London Critics Circle Film Awards
Special Achievement Award
Lawrence G. Paull, Douglas Trumbull, Syd Mead
Won
1983
Golden Globe
Best Music soundtrack – film
Vangelis
Nominated
1983
Academy Awards
Best Art Direction – September Decor
Lawrence G. Paull, David L. Snyder, Linda DeScenna
Nominated
Best Effects, Visual Effects
Douglas Trumbull, Richard Yuricich, David Dryer
Nominated
1983
Saturn Award
Best Science Fiction
Blade Runner
Nominated
Best Director
Ridley Scott
Nominated
Best Special Effects
Douglas Trumbull, Richard Yuricich
Nominated
Best Supporting Actor
Rutger Hauer
Nominated
1983
Fantasporto
International Fantasy Film Award
The best Ridley Scott film
Nominated
1993
Fantasporto
International Fantasy Film Award
The best movie of Ridley Scott (Director's cut)
Nominated
1994
Saturn Award
Better Sex Video Release
Blade Runner (Director's Cut)
Nominated
2008
Saturn Award
Best DVD Special Edition Release
Collector Blade Runner (5 Disc Ultimate Edition)
Won
Playlists of the best films
Current awards include Blade Runner:
Blade Runner is currently ranked as the third best film of all time by the Directory screen.
In 1000 theyshootpictures.com Top films of all time, based in 2041 criticism and lists of favorite movie directors, Blade Runner was voted # 66 in 2006, # 55 in 2007, # 46 in 2008 and # 40 in 2010. Is higher than all the films made after other.
British film Empire magazine voted it the "Best science fiction film ever" in 2007.
In 2002, Blade Runner was voted the greatest film eighth of all time on Channel 4's 100 best movies poll.
New Scientist readers voted as the "all-time favorite fiction" October Science Theater 2008.
Year
Presenter
Title
Rank
Notes
2008
Empire
The 500 best movies of all times
20
American Film Institute (AFI)
Top 10 science fiction films of all time
6
2007
AFI 100 Movies Years100
97
2006
Readers of Total Film
100 Best Movies of All Time
32
2005
Editorial Total Film
47
Time Magazine Review
"All Time 100 Best Movies
None
2004
The Guardian, scientists
Top 10 Movies science fiction of all time
1
2003
1001 movies you must see before you die
None
2002
50 Klassiker, Movies
In Online Film Critics Society (OFCS)
Top 100 science fiction films of the last 100 years
2
Cultural Influence
A control flight number of the police with huge skyscrapers full of advertising. These effects are parameters that have influenced many later films of science fiction.
While not initially a hit with American audiences, the film was popular internationally and became a cult film. dark style the film and the futuristic design have served as a reference point and its influence can be seen in many later films of science fiction, anime, video games and programs television. For example, Ronald D. Moore and David Eick, the producer of the re-imagination of Battlestar Galactica, Blade Runner have cited as a major influence the show. Blade Runner continues to reflect modern trends and concerns, and an increasing number consider it one of those science fiction movies largest all time. The film was selected for preservation in the United States National Film Registry in 1993 and is frequently used in university courses. In 2007, was named the second most visually influential film of all time by the Visual Effects Society.
Blade Runner is one of the most musically movies the sample of the 20th century and inspired the Grammy-nominated song "More Human Than Human" by White Zombie.
Blade Runner has influenced adventure games, such as increase of dragons, Snatcher, Beneath a Steel Sky and Flashback: The Quest for Identity, the anime series Bubblegum Crisis, the Shadowrun RPG, first person shooter Perfect Dark, and the Union series of video games. The film is also cited as a major influence on Warren Spector, designer of the former computer game Deus, both in its visual representation and shows evidence of the influence plot of the film. The look of the film (the dark, neon lights and hazy vision) is easier to make complicated backdrops, making it a popular choice for game designers.
Blade Runner was also the subject of parody, as Blade Bummer comics crazy about comics, the bad Steve Gallacci rubber, and special episodes of Red Dwarf "Back To Earth."
Blade Runner Curse
Among the folklore that has developed around the film in recent years has been the belief that the film was a curse for companies whose logos are displayed prominently as product placement in some scenes. While they were market leaders at the time, more than half disastrous setbacks over the next decade. RCA, which once was the U.S. leader in consumer electronics and communications conglomerate, was purchased by the father of GE once in 1985 and dismantled. Atari, which dominated the home video game market when the film came out, never recovered from the recession next year in the industry, and by the 1990s had ceased to represent anything more than a brand, a large catalog of games and some legacy equipment. Atari today is a completely different society, using the name of the company first. Cuisinart also filed for bankruptcy in 1989 but lives on less than a new owner. The Bell System monopoly was broken that year, and most of the resulting regional Bell operating companies have since changed their names and merged back from themselves and with other companies to form the new AT & T. Pan Am suffered the terrorist bombing and destruction of Pan Am flight 103 and after a decade of increasing losses, finally went bankrupt in 1991 with the fall in foreign travel caused by the Gulf War. Coca-Cola Company suffered losses during introduction is not the New Coke in 1985, but soon regained its market share. His success continued Coca-Cola has made a number of exceptions to the curse Blade Runner, which also appears in the film are logos for Budweiser, and the electronics company TDK, which continue to thrive in contemporary markets.
Future Noir
More information: black Future
Before principal photography of the film began, the magazine Cinefantastique commissioner Paul M. Sammon to write an article about Blade Runner's production, which became the book Future Noir: The Making of Blade Runner (known as the "Bible "Blade Runner" by many fans of the film). The book chronicles the evolution of Blade Runner as a movie, and focuses on the policy set filming, especially experiences in the British director with his first American film crew, including producer Alan Ladd, Jr. said: "Harrison did not want talk to Ridley and Ridley would not talk to Harrison. At the end of the meeting of Ford was "willing to kill Ridley," said a colleague. He really should have been that was not about him. "Future Noir is a brief biography of the cast and others about their experiences in making Blade Runner, as well as numerous photographs production of the film, and preliminary sketches. The chapter division was eliminated from the first edition, but is available online. A second edition Future Noir was published in 2007.
Soundtrack
Main article: Blade Runner (soundtrack)
The soundtrack by Vangelis Blade Runner is a combination dark melodic classical composition and futuristic synthesizers which mirrors the film-noir retro-future envisioned by Ridley Scott. Vangelis, fresh from his Academy Award winning score for Chariots of Fire, composed and performed the music of his synthesizers. He also made use of various bells and the voices of collaborator Demis Roussos. Another memorable sound is the haunting tenor sax solo "Love Theme" by UK saxophonist Dick Morrissey, who appeared in many of the albums of Vangelis. Ridley Scott also used "Memories of Green" from Vangelis' album "See You Later (an orchestral version of which Scott would wear on his person after Film To Watch Over Me).
Along with Vangelis' compositions and ambient textures, the sound of the film also features a track by the Japanese landscape Nipponia Ensemble ("Ogi No Mato 'or' The folding fan as a target" of the Nonesuch Records release "traditional vocal and instrumental music) and track a harpist Gail Laughton ("Harp of the Ancient Temples" of Laurel Records).
Despite being well received by fans and acclaimed critics and nominated in 1983 for a BAFTA and a Golden Globe for best original score, and the promise of a soundtrack of Polydor Records at the end of the movie titles, the launch of the official audio recording of the game was delayed for over a decade. There are two official versions of the music from Blade Runner. In light of the lack of a pitch an album, the New American Orchestra recorded an orchestral adaptation in 1982, which bear little resemblance to the original. Some of the tracks in the film would be in 1989 the surface on the development Vangelis: Themes, but not to the release of version 1992 of the Director's Cut that a significant amount of the film score to see commercial release.
These delays and reproductions resulted in the production of bootleg recordings over the years. A band of pirates appeared in 1982 in science fiction conventions and became popular due to the delay of an official publication of the original recordings, and in 1993 "Off World Music, Ltd." created a pirate CD would be more extensive than the official CD of Vangelis in 1994. A record of "Gongo Records" features most of the same material, but sound quality a little better. In 2003, two other bootlegs appeared, the "Esper Edition", closely preceded by "Los Angeles: November 2019." The double disc "Esper Edition" combined tracks from the official version, the Gongo boot and the movie itself. Finally, "2019" compilation album ever one composed almost entirely of ambient sound of the movie, filled with some sounds Westwood game Blade Runner.
A set of three CDs of music by Vangelis Blade Runner-related was released on December 10, 2007. Under the title Blade Runner Trilogy, the first CD contains the same tracks as the official launch of the soundtrack to 1994, the second CD contains original music of the film, and the third CD is comprised of all new music by Vangelis, inspires, and in the spirit of the film.
Versions
The limited edition 5-disc DVD, packaged in a case of playing the Voight-Kampff test.
The content of the 5-disc limited edition DVD.
Article Home: Blade Runner versions
Seven different versions of Blade Runner has demonstrated that:
Original working copy version (1982, 113 minutes) is shown test the hearing provided for in Denver and Dallas in March 1982. It was also seen in 1990 and 1991 in Los Angeles and San Francisco as a Scott director's cut without approval. Answers previews negative test led to the modifications resulting from the U.S. version theater, while the positive response to the projections, in 1990 and 1991 pushed the study to approve work on a court official director. He was re-released with the last five-disc edition in 2007.
A San Diego Sneak Preview shown only once in May 1982, which was almost identical to the domestic court with three extra scenes.
The U.S. theatrical version (1982, 116 minutes), known as the original version national court or released on Betamax and VHS in 1983 and laserdisc in 1987.
The International Court (1982, 117 minutes) also known as the release of "criterion" or uncut version includes scenes of violent action than the U.S. version theater. Although initially not available in the U.S. and distributed in Europe and Asia through local theater and Warner Home Video laserdisc releases, which was released on VHS and laserdisc Criterion Collection in North America, and re-released in Anniversary Edition 1992 as a "10."
The TV version of the U.S. (1986, 114 minutes), the U.S. version theatrical edited by violence, profanity and nudity on CBS to meet the transmission constraints.
The Ridley Scott-approved (1992, 116 minutes) Director's Cut, due to the unauthorized A working copy in cinemas 1990 and is available on VHS and laserdisc in 1993, and on DVD in 1997. Significant changes in the stage version includes the elimination of Deckard's voice-over, the reinsertion of a unicorn sequence and the elimination of the happy ending imposed by the study. Ridley has provided extensive notes and consultation with Warner Brothers through film preservationist Michael Arick, who was put in charge of creating the Director's Cut.
Final Cut Ridley Scott (2007, 117 minutes), or the edition "25 Anniversary, "published by Warner Bros. theaters on October 5, 2007, and later released on DVD, HD DVD and Blu-ray in December 2007 (United Kingdom December 3, USA 18 December). This is the only version over which Ridley Scott had complete artistic control as the Director's Cut was rushed and was not directly dependents. In conjunction with Final Cut, extensive documentary and other materials were produced for home video releases, culminating in a five-disc "Ultimate Edition Collector's "Liberation by Charles de Lauzirika.
Documentaries
On the Edge of Blade Runner (2000)
On the Edge of Blade Runner (55 minutes) was produced in 2000 by Nobles Gate Ltd. (for Channel 4), was directed by Andrew Abbott and assisted in writing by Mark Kermode. Interviews with production staff, including Scott, give details of the creative process and agitation during preproduction. The stories of Paul M. Fancher Sammon and provide insight into Philip K. Hampton Dick and origins of Do Androids Dream of Electric Sheep?.
Interwoven are cast interviews (with the notable exception of Harrison Ford and Sean Young), which transmit some of the difficulties of making the film (including a demanding director, humid weather smog). There is also a tour of some places, most notably the Bradbury Building and the Warner Bros. lot in 2019 became the streets, which seem very different from Scott's dark vision.
The film then details the projections test and the resulting changes (the voice, the happy ending, and the deletion of Holden hospital scene), special effects, the soundtrack by Vangelis, and the unhappy relationship between filmmakers and investors that culminated in Deeley and Scott be fired but still working in the film. The question of whether or not Deckard is a replicant surfaces.
Future crisis (2003)
Future crises (27 minutes) is a recent documentary from 2003 by TVOntario (part of his film with images compiled 101 series over the years for Saturday night at the movies). Includes interviews with the executive producer Bud Yorkin, Syd Mead, and the cast, this time with Sean Young, but still without Harrison Ford. There is a broad review of science fiction author Robert J. Sawyer and film critics, the film focuses on the issues, visual impact and the influence of film. Edward James Olmos describes the involvement of Ford, and personal experiences during shooting are related by Young, Walsh, Cassidy and Sanderson. Also relate a story about the creation of crew shirts that were applied in Scott pot shots. The different versions of the film are criticized and accuracy of its predictions for the future of these communities.
Dangerous Days (2007)
Dangerous Days: Making Blade Runner is a documentary about three hours long directed and produced by Charles de Lauzirika to the 2007 Final Cut of the film. It appears in every edition of The Final Cut on DVD, HD DVD and Blu-ray. (It's a DVD disc format, including HD DVD and Blu-ray editions). He sacrificed more than 80 interviews, including Harrison Ford, Sean Young, Rutger Hauer, Edward James Olmos Jerry Perenchio, Bud Yorkin and Ridley Scott, and also contains several shots of alternate and deleted in the context of its own documentary.
The documentary consists of eight chapters, each covers a large part of the film-makingr in the case of the final chapter, the controversial legacy of the film. The chapters and their length:
Date incepted 1980: Script and dealmaking 30:36
Blush Response: Assembling the cast 22:46
A Good Start: Designing the Future 26:34
Eye of the Storm: Production Begins 28:48
Living with Fear: tension in the studio 29:23
Beyond the window: The Visual Effects 28:49
In Need of Magic: Post-Production Problems 23:05
To Hades and Back: Release and Resurrection 24:12
All Our Future Alternative (2007)
The future of all variants, from working copy to Final Cut (29 minutes), produced by Paul Prischman appears on disc 5 of the Blade Runner Ultimate Collector Edition offers an overview of multiple versions of the film and its origins, as well as detailing the seven-year restoration, enhancement and remastering process behind The Final Cut. It includes interviews with director Ridley Scott, restoration producer Charles de Lauzirika, restoration consultant Kurt P. Galvao, restoration VFX supervisor John Scheele and Noir future: Making of Blade Runner author Paul M. Sammon. scenes behind the scenes "that document the work done in 2001 restorationrom file through the filming of 2007 Joanna Cassidy and Benjamin Ford for the final digital fixesre Court has seen it all.
Additional extras (2007)
In addition to hazardous Days: Making Blade Runner, a variety of other additional extras produced and directed by Charles de Lauzirika editions are included in both the four and five-disc collector of Blade Runner released by Warner Home Video in 2007:
The Electric Dreamer: Remembering Philip K. 14:22 Dick
Sheep slaughter: The Novel vs.. The Movie 15:07
Philip K. Dick: The Blade Runner Interviews 23:03
Signs of the Times: Graphic Design 13:40
Ahead of Fashion: Wardrobe and Styling 20:40
Screen Tests: Rachael 8:54 and Pris
The light that burns: Remembering Jordan Cronenweth 19:58
Deleted and Alternate Scenes 45:47
Promoting Dystopia: the representation of Poster Art 9:35
Deck-A-Rep: The True Nature of Rick Deckard 9:30
Nexus Generation: Fans and filmmakers 21:49
1982 Promotional Featurettes 36:21
Aftermath
KW Jeter, a friend of Philip K. Dick has written three officers, authorized Blade runner novels that continue the story of Rick Deckard, trying to resolve many differences between Blade Runner and source of the novel Do Androids Dream of Electric Sheep?.
Blade Runner 2: The Edge of Human (1995)
Blade Runner 3: Replicant Night (1996)
Blade Runner 4: Eye and Talon (2000)
Ridley Scott apparently toyed with the idea of a film sequel, which would have been entitled Metropolis. Without But the project was eventually shelved due to rights issues. A script was also written for a proposed sequel entitled Blade Runner Down, which were based on KW Jeter first Blade Runner sequel novel. At Comic-Con 2007, Scott again announced it is considering a sequel. In September 2008, Eagle Eye co-writer Travis Wright was writing the script. Wright worked with producer Bud Yorke for a few years on the project. His colleague John Glenn, who made the 2008 film, said the script explores the nature of the colonies outside world and what happens to the Tyrell Corporation, following the death of its founder.
Prequel
In June 2009, The New York Times reported that Ridley Scott, together with his brother Tony Scott, was working on a prequel to Blade Runner. The prequel, titled Purefold, be a series of short 510 minutes, directed by first time on the Web and then maybe the television, and set at a date prior to 2019. Due to rights issues, the series is not bound closely to the characters or events in the 1982 movie.
Other adjustments
Comics
Archie Goodwin's script comic book adaptation, a Marvel Comics Super Special: Blade Runner, published in September 1982. Jim Steranko cover leads to an adaptation of 45 pages illustrated by the team of Al Williamson, Carlos Garzon, Dan Green and Ralph Reese. This adaptation includes a possible explanation of the significance of the title in the context of the story: the narrative line, "Blade Runner.'re always movin 'on the Edge."
In 2009, BOOM! Studies published a 24-issue miniseries adaptation the comic's original novel Blade Runner, Do Androids Dream of Electric Sheep?
Video games
Main article: Blade Runner (1985 video game) and Blade Runner (1997 video game)
There are two video games based on the film, a Commodore 64, Sinclair ZX Spectrum and Amstrad CPC (1985) by CRL Group PLC based music by Vangelis (due to licensing issues), and other PC game action-adventure (1997) by Westwood Studios. The Westwood PC game featured new characters and stories branching based on the world of Blade Runner, with the voice work of some of the original cast of the movie and some recurring locations of the film. Events portrayed in the game of 1997 did not occur later, but in parallel to filmhe player assumes the role of a hunter of replicants other work at the same time, as Deckard, though of course, never meet, in order to maintain consistency with the film.
The PC game appears a non-linear storyline, non-player characters who ran their own IA independent, unusual and a pseudo-3D engine (which prevented polygonal solids for voxel elements) do not require the use of a 3D accelerator card to play the game.
A prototype board game was also established in California (1982) had similar game to Scotland Yard.
TV Series
Article Home: Total Recall 2070
While not an official sequel to Blade Runner, Total Recall 2070 was initially planned as a spin-off from the movie Total Recall but transformed into a hybrid of that film and Blade Runner. There are many similarities between the TV series and the world of Blade Runner. The series takes place in a dark, crowded, industrial and cosmopolitan atmosphere. David Hume is a senior detective for the Protection of Citizens' Committee (CEC), which partnered with Ian farve, Alfa class android. The series focused on issues such as the nature of humanity and the rights of androids. The series is based on two works by Phillip K. Dick: "We can remember that for You Wholesale "(the basis for the film Total Recall), and Do Androids Dream of Electric Sheep? (The basis of Blade Runner).
References
^ Sammon, Paul M. (1996). Future Noir: the making of Blade Runner. London: Orion Media. xvi xviii. ISBN 0-06-105314-7.
^ Sammon, P. 79.
Bukatman ^ Scott (1997). BFI Modern Classics: Blade Runner. London: BFI (British Film Institute). p. 21. ISBN 0-85170-623-1.
^ Conard, Mark T. (2006), Philosophy Neo-Noir, University Press of Kentucky, ISBN 0-8131-2422-3, http://www.kentuckypress.com/viewbook.cfm?Group=42&ID=1339&Category_ID = 1, Retrieved 01/29/2008
Bukatman ^, p. 41.
^ Greenwald, Ted (9/26/2007), "Read the full transcript of the Wired interview with Ridley Scott" Wired Magazine Issue 15.10, http://www.wired.com/entertainment/hollywood/magazine/15-10/ff_bladerunner_full?currentPage=all, accessed 01/22/2008
Html ^ a b Barber, Lynn (01/06/2002), "Scott's Corner", The Observer (London), http://film.guardian.co.uk/interview/interviewpages/0,, 628,186.00., Recovered 2007 -02 to 22
Ab ^ Hunt, Bill (12/12/2007), Blade Runner: The Final versions Court All, The Digital Bits, Inc., http://www.thedigitalbits.com/reviewshd/bladerunnerfinalallver01.html, Retrieved 12/09/2007
Abcd ^ Blade Runner: The Final Cut, The Digital Bits, Inc., http://www.thedigitalbits.com/articles/br2007/announce.html, retrieved 24/11/2007
^ Sebastian's death never shot due to concerns about too much violence in the film (Sammon, p. 175). In The Final Cut, Deckard is Sebastian said the body was also found.
Ab ^ Boonstra, John (June 1982), "A final interview with bolder vision of science fiction who speaks candidly about Blade Runner, inner voices and the temptations of Hollywood "by Rod Serling Twilight Zone Magazine 2 (3): 4752 http://www.philipkdick.com/media_twilightzone.html, consulted 02/06/2008 (Available from Philip K. Dick Trust)
^ Sammon, pp. 9293.
^ Sammon, P. 211.
^ Ford: "'Blade Runner'" It was a nightmare, "Moono.com, 2007-07-05, http://www.moono.com/news/news05091.html, accessed 01/02/2008
^ Sammon, P. 296.
Ab ^ Ebert, Roger (09/11/1992), Blade Runner: Director Cut, rogerebert.com, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19920911/REVIEWS/209110301/1023, accessed 28/08/2006
Ab ^ Sammon, P. 284.
^ Hauer, Rutger, Chat Live February 7, 2001, Rutger Hauer, http://www.rutgerhauer.org/chatroom/transcript05.php, accessed 02/01/2008
Ab ^ Sammon, pp. 115 116.
^ Sammon, P. 150.
^ ab James Van Hise, Philip K. Dick Blade Runner, Starlog.
^ Sammon, pp. 2330.
^ Sammon, pp. 4349.
^ Some editions of the Nourse novel uses of space between two words Blade Runner, like Burroughs's book.
^ Sammon, pp. 4963.
^ Sammon, P. 49.
Bukatman ^, pp. Sammon 1819, pp. 6467.
^ Sammon, pp. 6364.
^ Sammon, pp.6769.
Bukatman ^, pp. And Sammon 6163, p. 111.
^ Sammon, P. 74.
^ Wheal, Nigel (1995), The Postmodern Arts: An introductory look, Routledge, p. 107, ISBN 0-41507-776-1, http://books.google.com/books?id=8dGfKmubQIgC&pg=PA107&sig=-YDIF7d_p3omdApwk7sVM3dDFs4, accessed 25/04/2008
^ Director of Telegraphs Maximus Media Group Limited, 20/09/2003, http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2003/09/20/bfscott20.xml&sSheet=/arts / 2003/09 / 20/ixartright.html, Retrieved 4/25/2008
^ Sammon, P. 53.
^ Giraud, Jean. (1988) The Long Tomorrow and Other Stories SF. ISBN 0-87135-281-8.
^ Abcdef Days Dangerous: Making Blade Runner. Runner [Blade: The Final Cut DVD]. Warner Bros.. 2007.
^ Aaron Brinkley, a talk with William Sanderson, BladeZone, 2000.
^ Carnevale, Rob (2006), How to live with the directors … Ridley Scott, the BBC, http://www.bbc.co.uk/films/callingtheshots/ridley_scott.shtml, retrieved 21/02/2007
^ Kennedy, Colin (November 2000), "And under the lie, the truth," the Empire (137): 76
^ "In Conversation with Harrison Ford" Empire (202): 140, April 2006
^ Smith, Neil (Summer 2007), "The interview of the total film, film Total (130)
^ A B Barlow, Aaron (2005), "Reel Toads and Imaginary Cities: Philip K. Dick, Blade Runner and contemporary science fiction film", in Brooker, Will, the Blade Runner Experience, London: Wallflower, pp. 4358, ISBN 1-904764-30-4
^ Jermyn, Deborah (2005), "The Rachel Papers: In Search of Blade Runners Femme Fatal" in Brooker, Will, The Blade Runner Experience, London: Wallflower, pp. 159 172, ISBN 1-904764-30-4
^ Jenkins, Mary (1997), "The dystopian world Blade Runner: An ecofeminist perspective, "the trumpet 14 (4), http://trumpeter.athabascau.ca/index.php/trumpet/article/view/172/210, accessed 25/01/2008
^ Kerman, Judith B. (2005), "Post-Millennium Blade Runner", in Brooker, Will, The Blade Runner Experience, London: Wallflower, pp. 3139, ISBN 1-904764-30-4
^ Ab Alessio, Dominic (2005), "Redemption, 'Race', religion, reality and the extreme right," Science Fiction adaptations Philip K. Dick ", in Brooker, Will, The Blade Runner Experience, London: Wallflower, pp. 5976, ISBN 1-904764-30-4
^ Chapman, Murray (19921995), Blade Runner: Frequently Asked Questions (FAQ), Murray Chapman, University of Queensland http://www.faqs.org/faqs/movies/bladerunner-faq/, accessed 01/25/2008
^ Sammon, P. 384.
^ Leaver, Tama (1997), Post-Humanism and Ecocidio in Neuromancer by William Gibson and Ridley Scott's Blade Runner, Tama Leaver, University of Western Australia, http://scribble.com/uwi/br/br-eco.html , Retrieved 02/01/2008
^ Saini Tinku (1996), Ojo does not believe, Tinku Saini, University of Washington, http://scribble.com/uwi/br/tinku/, retrieved 31/01/2008
^ McCoy, John (1995), The eyes tell all, the University of Texas at Austin, http://www.cwrl.utexas.edu/ syverson/309-fall95/classpage/bladerunner/mccoy ~ /, Retrieved 02/01/2008
Bukatman ^, pp. 911.
^ Kerman, Judith. (1991) Retrofitting Blade Runner: Issues in Ridley Scott's Blade runner "and Philip s K. Dick "No Android Dream of electric sheep? ' Bowling Green University Popular Press. ISBN 0-87972-510-9.
Bukatman ^, pp. 8083
^ Sammon, p. 362.
^ Peary, Danny (1984). "Directing Alien and Blade Runner: An Interview with Ridley Scott." Omni Flight Display / screen fantasies: the future according to science fiction. Garden City: Dolphin. pp. 293 302.
^ Kaplan, Fred (September 30, 2007). "A cult classic restored again." The New York Times. http://www.nytimes.com/2007/09/30/movies/30kapl.html?_r=1&pagewanted=print&oref=slogin. Retrieved on 2008-10-01. The New York Times said: "The theme of dehumanization has also been exacerbated film. What has been the subject of speculation and debate is now a certainty: Deckard, the replicant policeman Hunting is also a replicant. Mr. Scott confirmed this: it is a replicant. He was always a replicant.
^ Blade runner enigma solved, BBC, 07/09/2000, http://news.bbc.co.uk/2/hi/entertainment/825641.stm, accessed 24/01/2008
^ Brooker, Peter (2005), "Imagining the Real: Blade Runner and Discourses on the" postmetropolis in Brooker, Will, experience Blade Runner, London: Wallflower, pp. 9, 222, ISBN 1-904764-30-4
Bukatman ^, p. 83.
^ Hills, Matt (2005), "Academic Poachers textual: Blade Runner as a cult film canon ", in Brooker, Will, The Blade Runner Experience, London: Wallflower, pp. 124 141, ISBN 1-904764-30-4
^ Sammon, P. 309.
Bukatman ^, p. 34 and Sammon, P. 316.
^ Sammon, pp. 316 317.
^ Sammon, pp. 313 315.
html ^ Hicks, Chris (9/11/1992) deseretnews.com Movie Review: Blade Runner, Deseret News Publishing Co. http://deseretnews.com/movies/view/0, 1257,200,00., Retrieved 02/05/2008
↑ Quoted in Sammon, P. P. 313; 314, respectively
^ Ebert, Roger (3/11/2007), Blade Runner: The Final Cut (1982), http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20071103/REVIEWS08/71103001/1023 , accessed 23/11/2007
^ "New York Times: Blade Runner." NY Times. http://movies.nytimes.com/movie/5994/Blade-Runner/awards. Retrieved on 2009-01-01.
^ Top Ten Movies of All Time, The Directory screen, http://www.thescreendirectory.com/cat4/top_tens.php?c=60, Retrieved 09/26/2007
^ "Characteristics empire. "Empireonline.com. http://www.empireonline.com/500. Retrieved on 26/01/2010.
^ American Film Institute (17/06/2008). "AFI's 10 Top 10." http://www.afi.com/10top10/scifi.html. Retrieved on 06/18/2008.
^ "American Film Institute: 100 years Welcome to Official Site Top 100 Films ". Connect.afi.com. Http: / / connect.afi.com / site / PageServer? Pagename = micro_100landing. Retrieved 26/01/2010.
^ Http: / / connect.afi.com/site/DocServer/100Movies.pdf? DocID = 301
^ Total Film. "Film has 100 best films of all time." TotalFilm.com. http://www.totalfilm.com/features/100-greatest-movies-of-all-time. Retrieved on 26/01/2010.
^ Total Film (24/10/2005). "Movie News, which is the biggest?". TotalFilm.com. http://www.totalfilm.com/news/who-is-the-greatest. Retrieved on 26/01/2010.
^ "The complete list of all time 100 movies TIME Magazine." Time.com. 05/23/2005. Http: / / www.time.com/time/2005/100movies/the_complete_list.html. Retrieved 01/26/2010.
^ "Schindler's List ALL-TIME 100 movies." TIME. 12/13/1993. http://www.time.com/time/2005/100movies/0, 23 220, schindlers_list, 00.html. Retrieved on 26/01/2010.
^ All-Time 100 Movies: Blade Runner (1982), Time Inc, 2005, http://www.time.com/time/2005/100movies/0, 23 220, blade_runner, 00.html, accessed 07/10/2007
^ "Top 10 science fiction films | Science." guardian.co.uk. http://www.guardian.co.uk/life/news/page/0, 12983,1290764,00. html. Retrieved on 26/01/2010.
^ "Scientists vote Blade Runner best sci-fi movie of all time | Film ". The Guardian. Http://www.guardian.co.uk/science/2004/aug/26/sciencenews.sciencefictionspecial. Retrieved 26/01/2010.
^ Close. "How we did | Science. "The Guardian. Http://www.guardian.co.uk/science/2004/aug/26/sciencefictionspecial2. Retrieved on 26/01/2010.
^ "1001 Series". 1001beforeyoudie.com. 07/22/2002. http://1001beforeyoudie.com. Retrieved on 26/01/2010.
^ Schröder, Nicolaus. (2002). 50 Klassiker, Film. Gerstenberg. ISBN 978-3-8067-2509-4.
^ "OFCS: The online film critics society." Ofcs.rottentomatoes.com. 12/06/2002. http://ofcs.rottentomatoes.com/pages/pr/top100scifi. Retrieved on 26/01/2010.
^ Sammon, pp. 318 329.
^ Jha, Alok; Rogers, Simon, Rutherford, Adam (8/26/2004), "Our voting panel of experts from the 10 best films science fiction ", Guardian Unlimited (London: Guardian News and Media Limited), http://www.guardian.co.uk/life/feature/story/0, 13026,1290561,00. Html, consulted on 14/11/2006
^ Rapold, Nicolas (02/10/2007), "Are not we all replicants like inside?", The New York Sun, http://www.nysun.com/article/63805, accessed 10/04/2007
^ (PDF) The Visual Effects Society presents "50 Most Influential Visual Effects films of all time," the Society Visual Effects, http://www.visualeffectssociety.com/documents/ves50revelfin.pdf, accessed 01/29/2008
^ Cighn, Peter (01/09/2004), The 1319 Top Sources the sample (version 60), sloth.org, http://web.archive.org/web/20041013041105/www.sloth.org/samples-bin/samples / source? summary
^ "White Zombieore human to human. http://www.videosift.com/video/White-Zombie-More-Human-Than-Human. Retrieved on 2008-02-24.
^ "Wired Magazine: Game Gurus, Issue 14.04. "Cond Nast Company. 2006-04-01. Http: / / www.wired.com/wired/archive/14.04/gurus.html. Retrieved 2009-08-28.
^ Ab Atkins, Barry (2005), "Replicating The Blade Runner ", in Brooker, Will, The Blade Runner Experience, London: Wallflower, pp. 7991, ISBN 1-904764-30-4
Ab ^ Tosca, Susana P. (2005), "The implanted memories, or the illusion of free action ", in Brooker, Will, The Blade Runner Experience, London: Wallflower, pp. 92 107, ISBN 1-904764-30-4
^ Kissell, Gerry, Crazy: Parody Blade Runner, Blade Location: The Online Blade Runner Fan Club, http://media.bladezone.com/contents/publications/magazines/crazy, accessed 02/05/2008
^ Gallacci, Steven A., "The Grand Comics Database Project", the bad rubber (Grand Comics Database) http://www.comics.org/details.lasso?id=37533 # 5, retrieved 01/29/2008
^ "Red Dwarf influences movie: Blade Runner and beyond." Dave.uktv.co.uk. 04/20/2009. http://dave.uktv.co.uk/library/red-dwarf/red-dwarf-blade-runner-beyond. Retrieved on 16/06/2009.
^ "Red Dwarf: Back To Earth" this weekend's Video Blog essential NME.COM NME Videos. " www.nme.com. http://www.nme.com/blog/index.php?blog=121&title=red_dwarf_back_to_earth_this_weekend_s_e_1&more=1&c=1&tb=1&pb=1. Retrieved on 16/06/2009.
^ "Red Dwarf back to cut Director of the Earth 2009 DVD: Amazon.co.uk: Craig Charles, Danny John Jules, Chris Barrie, Robert Llewellyn, Doug Naylor: DVD. Www.amazon.co.uk. Http: / / www.amazon.co.uk/Red-Dwarf-Back-Earth-DVD/dp/B001UHO102. Retrieved 16/06/2009.
^ Sammon, P. 104.
^ Chapman, Murray. (19921998) Blade Runner Curse of Murray Chapman from the University of Queensland. Retrieved on 2008-01-30.
^ BRmovie.com: Blade Runner Encyclopedia BRmovie.com, http://www.brmovie.com/Encyclopedia/PQRST.HTML, accessed 22/01/2008
^ Shone, Tom (2004), Blockbuster, Simon & Schuster, ISBN 0743239903
^ Future Noir: The Lost Chapters, 2019: Lost Worlds, http://scribble.com/uwi/br/fn, accessed 02/05/2008
^ Sammon, pp. 271 274
Abc ^ Sammon, pp. 419 423.
^ Sammon, P. 424.
^ Kaplan, Fred (09/30/2007), "a cult classic, restored again," New York Times, http://www.nytimes.com/2007/09/30/movies/30kapl.html, Retrieved 01/21/2008
^ Sammon, pg. 289.
Bukatman ^, p. 37.
^ Sammon, pp. 306 and 309 311.
^ Sammon, pp. 326 329.
^ Sammon, pp. 407 408 and 432.
Ab ^ Sammon, pp. 353, 365.
^ On the Edge of Blade Runner, Film4, http://www.channel4.com/film/reviews/film.jsp?id=106714, Retrieved 01/25/2008
^ Fischer, Russ (08/02/2007), Interview: Charles de Lauzirika (Blade Runner), CHUD.com, http://chud.com/articles/articles/11285/1/INTERVIEW-CHARLES-DE-LAUZIRIKA- BLADE-RUNNER/Page1.html, Retrieved 01/29/2008
^ Greer, Darroch (07/01/2007) Exclusive: The Real Deal: Digital restoration of film and a final cut reveal the true Blade Runner, Penton Media Inc., http://digitalcontentproducer.com/mil/features/video_real_deal_2/index.html, accessed 01/29/2008
^ Weitz, Scott (16/12/2007), Blade Runner The Final Cut: 2-Disc Special Edition DVD Review, FilmEdge.net, http:/ … About the Author

I am a professional writer from China Crafts Suppliers, which contains a great deal of information about canon a720 is camera , panasonic lumix dmc fx10, welcome to visit!

OUR WEBSITE SEARCHES for the best products on the net on weakly bases and here are the cheapest products at their category.
You can easily buy them from eBay (Safest purchase, and in most case free shipping) just click on the image and enjoy

TTL AF FLASH FOR PANASONIC LUMIX DMC-LX3 FZ30 FZ50 LC5 DMW-GH1K GH1 GF1K FL500 $79.99

3.6X TELEPHOTO TELE LENS FOR PANASONIC LUMIX DMC-FZ20 DMC-FZ10 FZ15 $49.99

Dual Wielding 71-wallets Photograph] [ # Photography There are two sides to every story, but the photos only contain a single image. The double leaflets Shooting photographed challenge this week show prospects otherwise it loses ... along with a very strange trend / phenomenon. Can you spot the results? More »